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 Clashing Youngsters
by Susan Leyland
8" x 11" clay
Sold
(then)
"HORSES MADE IN SEMI-REFRACTORY CLAY, FIRED AND MOUNTED ON OLD WOOD, STONE AND CLAY BLOCKS" |
 Quiet
by Susan Leyland
11" x 15" clay
Available - Inquire
(now)
"HORSES STILL MADE IN SEMI-REFRACTORY CLAY BUT THE HORSE AND BASE HAVE BEEN FUSED TO CREATE WHAT I CALL "HORSE BLOCK SCULPTURE"." |
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 Long Road Home
by Mal Luber
48" x 48" acrylic
Available - Inquire
(then)
"Original photograph from which painting was done was taken on an equine/western photo shoot in Durango, CO. It represents the trails and open spaces I travelled on that experience." |
 Power of Two
by Mal Luber
48" x 36" acrylic
NFS
(now)
"Two draft horses in a field of hay. Photographed on a farm in Vermont, then recreated in paint. Two majestic Belgian draft horses working together as a team." |
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 Ocean Wind
by Heather Mitchell
12" x 16" acrylic
(then)
"This was what I call a 'play painting' - no reference photo and only the memory of some lovely sunsets I witnessed in the Gulf of Mexico years ago. It is somewhat impressionistic in style and amateurish in technique, but I was pleased with it at the time." |
 Autumn Light - Lippitt Colt
by Heather Mitchell
12" x 16" acrylic
Available - Inquire
(now)
"Another 'play painting' - no reference photo. I had, however, seen this spectacular colot in a DVD and painted him from memory. He exemplified all that a Lippitte colt should and is my Morgan ideal. I didn't get caught up in details - as I usually do - just painted the memory and splashed him with autumn light." |
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 The Triad
by Rebecca Moore
18" x 12" charcoal
NFS
(then)
"This was one of my first equine pieces in charcoal. I had no reference photos of my own, so I had to use photos from a magazine. As you can see, I didn't do a very good job of making them look like they go together!" |
 CWP Chances Are
by Rebecca Moore
18" x 24" charcoal
Available - Inquire
(now)
"I drew this from a photo I took at a breeder's open house. This stallion was gracious enough (or vain enough!) to take long pauses so I got a great shot which made drawing him easy. This drawing received second place at the Western States Horse Expo this summer." |
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 Spring
by Marilyn Newmark
9" x 13 1/2" x 4"
(then) |
 Pasture Pals
by Marilyn Newmark
12 1/2" x 18 3/4" x 6 1/4"
(now) |
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 Foal and Butterfly I
by Delia Pacheco
16" x 20" colored pencil
NFS
(then)
"In 1986 I lived in Missouri and bred Arabian Horses, this foal in the drawing Chushan, was my first foal by my stallion out of my prized *Chutor++ daughter. This foal was born unexpectedly one morning, he was not suppose to come for another 4 days...I went to the barn to feed and there he stood looking at me as I pitched a flack of hay. He had such long legs he looked like a freak, when he matured he was almost 16 hands tall, big for an Arabian.
One day in the pasture I saw him backing up franticly, there he was with a Butterfly attached to his nose. He did not know how to get it off , and the look on his face was as in this drawing. You can see the reflection of the butterfly in his eyes. I still have his arthritic 27 year old mother, but Chushan's fate was really short lived, maybe for about 8 years." |
 Foal and Butterfly II (gee wish I could fly)
by Delia Pacheco
16" x 20" acrylic
Available - Inquire
(now)
"I have a friend in Colorado that breeds the most beautiful Quarter Horses I have ever seen, they have beautiful conformation, muscling and particularly great heads. She sent this photo of her foal resting his chin on a fence, when I saw it I imagined a Butterfly sitting there and the foal thinking "gee wish I could fly"
A particular note on this painting, a few years back this painting was displayed for a month at a Country Club, there it disappeared but I found it two years later." |
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 The Journey
by Dian Paura-Chellis
20" x 26" pastel
Available - Inquire
(then)
"Whatever we do in life has to come from within ourselves." |
 Commissioned Portrait
by Dian Paura-Chellis
20" x 26" pastel
(now)
"This is one of the pieces that was commissioned by the Empire Appaloosa Club for the high point winner for their end of the year rewards." |
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 Have You Driven a Fjord?
by Kathi Peters
10 3/4" x 7" watercolor
Available - Inquire
(then)
"With a background in fashion illustration, I started painting the world around us in Pownal, Maine. Driving became a main focus of my equine work
and still is. With simple watercolor lead me to kick up my drawing skills a notch, and
lead to more realistic watercolor portraits." |
 Head Study, Acadia
by Kathi Peters
10 1/2" x 7" watercolor
(now)
"Watercolor is still one of my favourite mediums. This portrait of a driving
horse at Acadia National Park has been featured in national magazines and
published in limited edition prints. The original work is sold." |
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